StoryBoard

 

Slide 1

Scene Description: Aerial view of a boat parade at night, Christmas lights reflecting on the water.
Camera Angle: Drone Shot – Wide

Slide 2

Scene Description: Crowds enjoying the parade, glowing city backdrop.
Camera Angle: Wide Shot – Street Level

Slide 3

Scene Description: People on a boat laughing, taking photos.
Camera Angle: Long Shot

Slide 4

Scene Description: Lights shimmer on the water, people in holiday spirit.
Camera Angle: Wide Shot

Slide 5

Scene Description: Full parade scope as the city skyline glows.
Camera Angle: Drone Shot – High Angle

Slide 6

Scene Description: One boat stands out, creating a visually appealing transition.
Camera Angle: Tracking Shot – Following a Boat

Slide 7

Scene Description: Protagonist drives, female lead in the passenger seat, holiday music playing.
Camera Angle: Medium Shot – Inside Car

Slide 8

Scene Description: Female lead smiling at him, window lights reflecting in her eyes.
Camera Angle: Close-Up – Female Lead

Slide 9

Scene Description: Looking out the window, admiring holiday displays.
Camera Angle: Over-the-Shoulder – Passenger POV

Slide 10

Scene Description: Passing houses with Christmas lights.
Camera Angle: Roller Shot – Front of car

Slide 11

Scene Description: Driving through a neighborhood, festive atmosphere.
Camera Angle: Two-Shot

Slide 12

Scene Description: Looking out the window, admiring holiday displays.
Camera Angle: Close-Up

Slide 13

Scene Description: Coffee date at night with the Protagonist and Female Lead.
Camera Angle: Two-Shot Pan

Slide 14

Scene Description: Coffee date moves to an outside park.
Camera Angle: Dutch

Slide 15

Scene Description: Casual, warm conversation between them.
Camera Angle: Wide-shot (showcasing backdrop)

Slide 16

Scene Description: Female lead laughing, happiness in the moment.
Camera Angle: Long shot, contrast protagonist and Female Lead from rain and background

Slide 17

Scene Description: Female lead turns to him: "Let’s go to the rooftop."
Camera Angle: Medium Shot – Inside Car

Slide 18

Scene Description: City skyline, intimate setting.
Camera Angle: Wide Shot – Rooftop View

Slide 19

Scene Description: Female lead sitting on the edge, looking over the city.
Camera Angle: Medium Shot – Female Lead Sitting on the Edge

Slide 20

Scene Description: She smiles at him warmly.
Camera Angle: Close-Up

Slide 21

Scene Description: Protagonist sits beside her, skyline glowing behind them.
Camera Angle: Over-the-Shoulder

Slide 22

Scene Description: Soft laughs and conversation, bond feels real.
Camera Angle: Medium Shot

Slide 23

Scene Description: A tender moment as hands touch.
Camera Angle: Close-Up

Slide 24

Scene Description: Female lead's joyful expression, light-hearted and safe.
Camera Angle: Close-Up – Female Lead’s Joyful Expression

Slide 25

Scene Description: Two silhouettes against the cityscape, peaceful and intimate.
Camera Angle: Wide Shot – Two Silhouettes Against the Cityscape

Slide 26

Scene Description: He blinks… and suddenly she’s gone.
Camera Angle: Slow Motion – Protagonist’s POV

Slide 27

Scene Description: Protagonist hanging with friends, obviously out of it.
Camera Angle: Slow Motion – Protagonist’s POV

Slide 28

Scene Description: Protagonist practicing his sport, taking his mind off the matter.
Camera Angle: Wide Shot

Slide 29

Scene Description: Protagonist attempting to move on, talking to barista.
Camera Angle: Over-the-Shoulder

Slide 30

Scene Description: Protagonist hanging with barista and friends.
Camera Angle: Wide Shot

Slide 31

Scene Description: Protagonist thinking of barista while hanging out with friends.
Camera Angle: Close-Up

Slide 32

Scene Description: Flashback to ex-girlfriend.
Camera Angle: Two-Shot

Slide 33

Scene Description: Shocked expression as realization hits him.
Camera Angle: Extreme Close-Up

Slide 34

Scene Description: Bowling with friends, darkened expression.
Camera Angle: Wide Shot

Slide 35

Scene Description: Playing basketball with friends, looking more cheerful.
Camera Angle: Tracking Shot

Slide 36

Scene Description: Hanging out with friends, appearing happy.
Camera Angle: Montage – Medium/Wide Shots of Friends

Slide 37

Scene Description: At the gym, working on himself and focusing on other things.
Camera Angle: Long, Establishing Shot

Slide 38

Scene Description: On the treadmill sweating, obviously working hard.
Camera Angle: Close-Up of Sweat

Slide 39

Scene Description: Boxing, serious expression.
Camera Angle: Wide-Shot, Many Cuts to Show Action and Fast-Paced

Slide 40

Scene Description: Cuts to more working out (Pull-Ups).
Camera Angle: Tilt Shot

Slide 41

Scene Description: In mirror at gym, drenched with sweat, done working out.
Camera Angle: Wide Shot

Slide 42

Scene Description: In the library reading a book (finding peace).
Camera Angle: Wide Shot

Slide 43

Scene Description: On the beach during sunrise, relaxed and at peace finally.
Camera Angle: Wide Shot, Emphasizing Emotions and Background

Slide 44

Scene Description: Spending time with dog, obviously enjoying himself.
Camera Angle: Two-Shot

Slide 45

Scene Description: Back on the original rooftop, seemingly happy, as though the loss of his girlfriend no longer affects him.
Camera Angle: Aerial Shot into Close-Up of Face

Slide 46

Scene Description: More time spent with friends, in the park.
Camera Angle: Wide Shot

Slide 47

Scene Description: BBQ with close friends.
Camera Angle: Wide Shot, Pan Around Friend Group, End on Protagonist’s Face Showing Immense Happiness

Slide 48

Scene Description: Protagonist goes to bed after BBQ.
Camera Angle: Wide Shot

Slide 49

Scene Description: Dreams of ex-girlfriend and time on the rooftop, never truly got over it.
Camera Angle: Wide Shot

Slide 50

Scene Description: Protagonist gets out of bed and showers to clear his mind.
Camera Angle: Wide Shot through Shower Glass, Only Silhouette is Seen

Slide 51

Scene Description: Protagonist gets out of the shower and stares at himself in the mirror.
Camera Angle: Close-Up, Over-the-Shoulder

Slide 52

Scene Description: Protagonist seen in bed, tearing up and contemplating something.
Camera Angle: Close-Up

Slide 53

Scene Description: Protagonist seen sitting on a window sill, flashback of ex one final time.
Camera Angle: Medium Shot

Slide 54

Scene Description: Stepping onto a chair, holding the old photo.
Camera Angle: Medium Shot – Stepping Onto a Chair

Slide 55

Scene Description: Protagonist in obvious, immense despair.
Camera Angle: Medium Shot

Slide 56

Scene Description: Pulling out a rope, decision made.
Camera Angle: Close-Up – Pulling Out a Rope

Slide 57

Scene Description: Protagonist ties the knot, hands trembling the entire time.
Camera Angle: Close-Up – Tying the Knot

Slide 58

Scene Description: Tears drop onto the floor, silent impact.
Camera Angle: Extreme Close-Up – Tears Drop Onto the Floor

Slide 59

Scene Description: Phone screen lights up: "Hey, it’s been a while, could we talk?"
Camera Angle: Close-Up

Slide 60
Scene Description: Black screen with the text written "You're not alone."

Script

 

Silent Echoes

FADE IN:

OPENING SCENE – BOAT PARADE & CAR RIDE

WATERFRONT – NIGHT

(Drone Shot – Wide) A festive boat parade glides across the water. Christmas lights shimmer on the waves, illuminating the night.

(Pan Shot – Slow Sweep)
Boats of all sizes, decked with glowing decorations, drift by. Families and friends cheer from the shoreline.

(Close-Up – People Laughing on a Boat)
A group of strangers pose for a picture, their laughter spilling into the night air.

(Wide Shot – Street Level)
The waterfront is packed—crowds, street vendors, and the glow of city lights.

(Handheld POV Shot – On a Boat)
The camera moves through the celebration—warm, inviting, alive.

(Tracking Shot – Following a Boat)
A particularly well-lit boat sails by, creating a visual transition into the next scene.

INTERIOR OF CAR – NIGHT

(Medium Shot – Inside Car)
The PROTAGONIST (17, quiet, observant) drives, the FEMALE LEAD (17, warm, carefree) in the passenger seat. Soft holiday music plays.

(Close-Up – Female Lead Smiling)
She looks at him, catching the glow of passing Christmas lights in her eyes.

(Roller Shot – Side View of Car)
They pass houses decorated in bright colors, the holiday warmth spilling onto the road.

(Tracking Shot – Car in Motion)
The world outside blurs—peaceful, dreamlike.

(Over-the-Shoulder – Passenger POV)
She watches the lights fly by, eyes reflecting their glow.

(Close-Up – Protagonist)
For a moment, he looks content—genuinely happy.

(Wide Shot – Car from Behind)
They continue down the empty road, silhouettes against the festive backdrop.

(Medium Shot – Inside Car, Casual Conversation)
She playfully nudges him. He smirks, shaking his head.

(Close-Up – Female Lead Laughing)
A light, unburdened joy in her face.

(Over-the-Shoulder – Female Lead Bumping His Arm)
She leans closer, teasing. He grips the steering wheel slightly tighter.

(Medium Shot – Inside Car)
FEMALE LEAD
(softly, smiling)
"Let’s go to the rooftop."

ROOFTOP SCENE – LOVE TURNS TO ISOLATION

ROOFTOP – NIGHT

(Wide Shot – Rooftop View)
They sit at the edge of a quiet rooftop, overlooking the city below. The skyline glows beneath them.

(Medium Shot – Female Lead Sitting on the Edge)
She swings her feet idly, staring out into the night.

(Close-Up – She Smiles at Him)
Soft, inviting. She reaches for his hand.

(Over-the-Shoulder – Protagonist Looking at Her)
He watches, absorbing her presence.

(Medium Shot – Soft Laughs & Conversation)
They share quiet moments, their bond real.

(Close-Up – Hands Touching)
Fingertips just barely meet.

(Wide Shot – Two Silhouettes Against the Cityscape)
For a moment, everything feels perfect.

(Handheld Camera – Playful Exchange)
She leans into him, bumping his shoulder. He smiles.

(Close-Up – Female Lead’s Joyful Expression)
FEMALE LEAD
(whispering)
"I wish we could stay here forever."

(Extreme Close-Up – Protagonist’s Eyes)
Something flickers behind them—something unreadable.

(Medium Shot – She Leans In for a Kiss)
He blinks.

(Slow Motion – Protagonist’s POV)
And she’s gone.

(Extreme Close-Up – Shocked Expression)
He looks frantically around.

(Wide Shot – Rooftop Now Empty)
No sign of her. The city lights below seem colder now.

(Over-the-Shoulder – Looking at His Hands)
Empty. Trembling.

MIDDLE SCENE – LIFE GOES ON, DEPRESSION LINGERS

VARIOUS LOCATIONS – MONTAGE

(Medium/Wide Shots of Friends Hanging Out)
Laughter. Games. Coffee shops. A normal life.

(Over-the-Shoulder – Coffee Shop, Protagonist Orders a Drink)
The barista smiles. He smiles back, but it doesn’t reach his eyes.

(Close-Up – Bird Flying By in Park)
He watches it.

(Flashback – Quick Cuts of Female Lead Laughing)
She was so alive.

(Back to Present – Medium Shot – Protagonist Alone on Park Bench)
He blinks. His smile fades.

(Wide Shot – Friend Calls His Name, He Fakes a Smile)
FRIEND
"You good, man?"

(Over-the-Shoulder – Playing Video Games with Friends, Loud and Fun)
The room is loud, but he is silent.

(Close-Up – Game Over Screen, Protagonist Zoned Out)
His hands are still on the controller, but he’s somewhere else.

(Flashback – Extreme Close-Up of Female Lead’s Face)
FEMALE LEAD
(soft, concerned)
"Are you okay?"

(Back to Present – Over-the-Shoulder – Friend Nudges Him)
FRIEND
"Bro?"

(Forced Smile – Wide Shot – Friends Celebrating Win)
He nods. He pretends all is fine.

(Close-Up – A Single Tear Forms – Quickly Wiped Away)

(Wide Shot – Walking Home Alone at Night, Isolated, Dimly Lit)

(Over-the-Shoulder – Looking at Phone, No Messages)

(Close-Up – Text Draft: ‘I Miss You’ – Hesitates… Deletes It.)

FINAL SCENE – THE HIDDEN PAIN

PROTAGONIST’S ROOM – NIGHT

(Wide Shot – Looking in Mirror, Tired Eyes, Lost)

(Over-the-Shoulder – Silent Breakdown, Face Tense, Fighting Back Tears)

(Close-Up – Whispering to Himself)
PROTAGONIST
(barely audible)
"I can’t do this anymore."

(Wide Shot – Walking to Closet, A Devastating Realization)

(Close-Up – Pulling Out a Rope, Decision Made)

(Extreme Close-Up – Tightening the Knot, Hands Shaking)

(Medium Shot – Stepping Onto a Chair, Holding the Old Photo)

(Close-Up – Tears Streaming Down His Face, Final Moment)

(Over-the-Shoulder – Looking at the Photo One Last Time – Goodbye.)

(Extreme Close-Up – Tears Drop Onto the Floor – Silent Impact.)

(Cut to Black – Sudden, Shocking.)

TEXT ON SCREEN

"You never know what someone is going through."

(Phone Screen Lights Up – A Text Appears: “Hey, are you okay?”)

(Final Message on Black Screen: “You are not alone.”)

FADE TO BLACK.

END.

Other Information

 Location

Our group will be recording at the beach, an apartment building, Las Olas, coffee shops, and more areas alike if needed. These places such as the beach will all be used for date scenes and flashbacks, while places like Bayview Park, and the gym will be used for scenes on "working out". The Apartment rooftop will be used for the scene of the female leads' disappearance. We might use a few other places to film "hangouts with friends".

Participants as of right now:

Actors:

• Finn O'Brien 
• Alyssa Jaidane
• Ella Agnese

Roles & Positions:

Director: Conner Cleary

Co-Director/s: Ella Agnese, Alyssa Jaidane, Finn O'Brien

Producer: Unknown

Filming & Editing: Conner Cleary, Alyssa Jaidane

We'll all be taking turns in the filming process and sharing ideas when we start editing the movie.

Health:

Nothing in our group revolves around having to do anything dangerous or being in situations that could lead us to trouble but we will have parental supervision. There are members of our group who are certified and licensed in CPR as well which could possibly help if we run into an issue and each of us could contact the emergency services.

Schedule:

Filming days: 1/27, 2/3, 2/10, 2/17, 2/18 

Editing days are: 2/14, 2/19, 2/23, 3/1, 3/3 

1/19/24: Prepare for the filming. Talk about props, makeup, lighting, who will handle the camera, acting, and other details. Take care of the minor aspects in advance of filming.

1/27/24: We'll start shooting at the apartment building, focusing on certain scenes. This will provide material for our future production blogs, which will be due later on. Then we'll move on to other places like Las Olas, the beach, coffee shops, etc.

2/3/24 - 2/10/24: On the second and third filming days, we'll aim to complete as many scenes as we can, taking advantage of the weekend to minimize the need for additional filming days later this month which is easier this year since some in our group have cars.  

2/14/24: Start editing the scenes we've recorded, covering most of our scenes. Depending on how many scenes we manage to edit, we'll decide whether to complete the editing on the first of March or postpone some edits for a bit later.

2/17/24 - 2/18/24: Last days of filming. As they fall on the weekend, the aim is to complete all filming. These two days will be utilized for shooting at any chosen locations if necessary.

3/1/24 - 3/3/24: Both days are dedicated solely to editing the remaining scenes. On 3/1, we will address any necessary revisions to edits made earlier. On 3/3, we will focus on editing the final shots.

3/9/24: Gather to discuss our completed project, review the film, discuss any changes to the film review blogs, write our CCR, and submit our final task.

Our backup plan :

If a participant in our movie can't continue, we'll either find replacements or eliminate their role. We're flexible with the schedule and can adjust to accommodate everyone's needs, especially in case of serious issues. We've already talked about simple solutions for any challenges that may arise in the making of our movie.

Thank you guys for checking in today! That's all and I hope to see you back soon!

Title Design

Hey guys! Welcome back here are our current plans for the title design.

Working title: Silent Echoes

    •    The opening credits will appear in traditional overlays throughout the film.

    •    The film title will fade in over the boat parade scene, reflecting on the water.

    •    Crew and cast names will appear in subtle corner overlays during key moments.

    •    The text will be minimal and unobtrusive, blending seamlessly with the visuals.

    •    The rooftop scene will feature a soft fade-in of credits as the protagonist and female lead talk.

    •    The final credit will appear as as a black screen once the Female Lead disappears.

    •    Font size and placement will change to fit the tone and framing of each shot.

    •    The last screen will display a message about mental health awareness before fading to black.

Short Film Research: Brotherhood

                

 Welcome back guys! Today I will be analyzing the short film Brotherhood. Enjoy!

 a. Common Sound:

• Melancholic Music: Subtle, emotional scores that emphasize sorrow or foreboding.
• Silences: Strategic use of silence to heighten tension or emotional weight.
• Diegetic Sounds: Everyday noises like footsteps, breathing, or ambient nature sounds to ground the story in reality.
• Dialogue: Often sparse but heavy with subtext, conveying unspoken emotions and internal conflicts.

b. Common Mise-en-Scène (CLAMPS):

• Costume: Simple, muted clothing reflecting the characters' socioeconomic status or emotional state.
• Lighting: Natural or dim lighting to create a somber atmosphere; chiaroscuro (high contrast) may highlight moral or emotional struggles.
• Actors: Strong emotional performances that convey grief, loss, or despair.
• Makeup: Minimal, but may emphasize weariness, age, or injuries symbolizing internal pain.
• Props: Meaningful objects that represent the characters' past or their emotional ties, such as photographs, letters, or heirlooms.
• Setting: Rural or desolate locations, homes in disrepair, or austere interiors that reinforce feelings of isolation or hardship.

c. Common Editing:

• Lingering Shots: Slow pacing with extended shots that allow the audience to absorb the characters' emotions.
• Montages: Often used to juxtapose past happiness with present suffering.
• Hard Cuts: Abrupt transitions to emphasize emotional shocks or narrative turning points.
• Cross-Cutting: May show contrasting scenes of hope and despair, building dramatic tension.

d. Example Films of Your Genre:

1. The Silent Child (Oscar-winning short): The tragic story of a deaf girl neglected by her family.
2. Wasp by Andrea Arnold: A heartbreaking portrayal of a struggling single mother.

e. What Elements of the Genre Do You Like?

• Emotional Depth: Tragedy delves deeply into human emotions, providing catharsis and profound storytelling.
• Complex Characters: Characters are often flawed, relatable, and grappling with their humanity, which makes their journeys compelling.
• Powerful Themes: The genre explores universal truths like loss, regret, and redemption, making it timeless and impactful.
• Atmosphere: The focus on tone and mise-en-scène creates a haunting and memorable experience.

f. What Elements of the Genre Do Not Appeal to You?

• Pacing: The slower pace, while effective, may sometimes feel too prolonged or heavy-handed.
• Predictability: Certain tragic tropes, like inevitable death or betrayal, can feel repetitive if not handled uniquely.

Short Film Research: The Silent Child

                                                                

 Welcome back guys! Today I will be analyzing the short film The Silent Child. Enjoy!

a. Common Sound in Tragedy:

• Quiet Ambience: Reflecting the protagonist’s isolated world, often highlighting silence or muffled sounds to represent her perspective.
• Diegetic Sounds: Soft sounds like breathing, footsteps, or environmental noises that reinforce the sense of isolation.
• Minimal Score: Subtle, melancholic music underscores the emotional tone but doesn't overpower the narrative.
• Dialogue: Sparse and meaningful, with emphasis on emotional weight and unspoken words.

b. Common Mise-en-Scène (CLAMPS):

• Costume: Plain, everyday clothing that reflects the characters' modest lifestyles and emotional struggles.
• Lighting: Natural light with muted tones to create a realistic yet somber atmosphere.
• Actors: Performances are understated but emotionally charged, especially in moments of silence or non-verbal communication.
• Makeup: Naturalistic, emphasizing weariness or subtle emotional cues.
• Props: Symbolic items like the girl’s hearing aids or learning tools, reflecting her struggles and her family’s neglect.
• Setting: Rural or suburban locations that feel isolated, mirroring the protagonist’s emotional detachment.

c. Common Editing:

• Slow Cuts: Emphasize emotional moments, allowing the audience to fully absorb the weight of each scene.
• Point-of-View Shots: Scenes edited to mimic the protagonist’s auditory experience, alternating between silence and sound.
• Lingering Close-Ups: Focus on the protagonist’s face to capture nuanced emotions.

d. Example Films of the Genre:

1. Brotherhood (Short of the Week): A family tragedy set in rural Tunisia, exploring themes of loyalty and betrayal.
2. Wasp by Andrea Arnold: A heartbreaking portrayal of a struggling single mother.

e. What Elements of the Genre Do You Like?

• Empathy Through Perspective: The way the film immerses the audience in the protagonist’s world creates a deep emotional connection.
• Quiet Power: The understated storytelling leaves a lasting emotional impact.
• Focus on Human Struggles: Tackles themes of neglect and communication with authenticity.

f. What Elements of the Genre Do Not Appeal to You?

• Emotional Weight: The lack of resolution or catharsis can feel overly heavy.
• Frustration with Injustice: The neglect of the protagonist by her family can feel deeply upsetting, potentially alienating some viewers.

Short Film Research: Wasp

                                                             

 Welcome back guys! Today I will be analyzing the short film Wasp. Enjoy!

a. Common Sound in Tragedy:

• Raw Environmental Sounds: The hum of urban streets, children crying, and the protagonist's movements are emphasized.
• Sparse Music: Utilizes minimal or diegetic music to unders
  core the grim reality of the characters' lives.
• Dialogue: Gritty and colloquial, revealing the characters' socioeconomic struggles.

b. Common Mise-en-Scène (CLAMPS):

• Costume: Cheap, mismatched clothing that reflects financial hardship and the characters' desperation.
• Lighting: Naturalistic and often harsh, reflecting the unvarnished reality of the protagonist’s life.
• Actors: Performances are raw and unfiltered, conveying desperation and resilience.
• Makeup: Minimal, highlighting the tiredness and strain on the protagonist.
• Props: Items like baby bottles, food scraps, and cluttered spaces that reveal the family’s struggles.
• Setting: Urban environments, often rundown and cramped, that highlight socioeconomic struggles.

c. Common Editing:

• Handheld Camera Work: Creates an intimate and unsteady feel, reflecting the chaos of the protagonist’s life.
• Quick Cuts: During moments of tension or conflict, emphasizing the instability of the situation.
• Slow Emotional Beats: Linger on the protagonist’s face or key moments to emphasize the emotional weight.

d. Example Films of the Genre:

• Brotherhood (Short of the Week): A family tragedy set in rural Tunisia, exploring themes of loyalty and betrayal.
• The Silent Child (Oscar-winning short): The tragic story of a deaf girl neglected by her family.

e. What Elements of the Genre Do You Like?

• Authenticity: The gritty realism makes the struggles feel immediate and relatable.
• Focus on Marginalized Voices: Highlights stories often overlooked in mainstream media.
• Emotional Intensity: The raw emotion of the characters is powerfully conveyed.

f. What Elements of the Genre Do Not Appeal to You?

• Bleakness: The unrelenting grimness can feel emotionally overwhelming.
• Frustrating Characters: The protagonist’s poor decisions, while realistic, may alienate some viewers.